Love It !- Metamorphoses

The new play at The old Fitz, Metamorphoses, is spellbinding. A tribute to love ( and a feature of Mardi Gras) it fashions a Tony award winning play based on Roman mythology into a luxurious banquet of story telling, movement and visual effects. It is a unique piece of theatre that I need to see again.

The director, Dino Dimitriadis, is always sure footed, but this piece demonstrates a creativity rarely seen. His choice of cast, and the way he uses gender in the parables depicted, enlivens and enlarges our appreciation of some very well known but previously two dimensional myths. The synergy of voice, movement, lighting and sets is extraordinary and completely captivating.

It is an ensemble cast, and every performer contributes beautifully to the production. The young actress Zoe Terakes must be mentioned because, as an actress who just completed her H.S.C the maturity and depth of her performance is astonishing. Her performance of Eurydice is mesmerising. David Helman is just exquisite in his physical performance but also proves to be a sensitive actor.

There are only a few tickets left for this season, and anyone with a passing interest in theatre- and especially not vanilla flavoured theatre – must not miss Metamorphoses.

Gripping and Funny….a must see at KXT

‘Night Slows Down’ is currently on at the Kings Cross Theatre, written and directed by an extremely talented NIDA graduate, Phillip James Rouse. This play conveys the horror of a dystopian world where racism is de rigueur and the desire for short term profit ( on the part of the government) is so unbridled that a whole city could be wiped out. But Phillip cleverly focuses on one family to tease out the intricacies of this problem. This play is just so cleverly written, incorporating flashbacks as well as forward narrative, and is both compelling and humorous. Tension is sustained from the opening sentence and the ending is perfect.

I generally state that a play’s success is ninety percent on the shoulders of the actors. These three actors are superb. Danielle King is an actress whom I have seen across many genres, always convincing, always creating  complexity in her characterisation. She is so good that one can almost forget that one is watching a play. She is in wonderful form here. Johnny Nasser who plays her husband is perfectly cast and does a marvelous and sensitive portayal.  Andre De Vanny, ex Melbourne, did a fine job in the play Swan Song and also in ‘ Of Mice and Men’ for Sport for Jove, but in this play he is brilliant. His portrayal of Seth, a brutal nasty punk whose right wing sentiment enables him to do very well politically, exudes charm and sincerity even as he oversees social horrors. He shows us very clearly just how these political situations can happen. Bravo!

The set and lighting are extraordinary and frame the dystopia perfectly. There is such detail in the wall panels and the lighting bordering the stage is perfect to encase the action. It is impossible to understand just how this wonderful entertainment  can be offered for such a tiny price at this theatre. If you have never been the the KIngs Cross Theatre, then start with this play. If you love theatre do not miss this diamond!

See ‘View’ at Glen

I deferred reviewing View from the Bridge, currently at The Old Fitz because it has been sold out all season and I do not like to recommend a play for  which  tickets cannot be purchased. I just found out that this amazing production is to be extended at  Glen Street Theatre which is in Belrose, not too far away on the North Shore.

Arthur Miller’s 1950s play has been more successful in revivals that it was when first performed, although Arthur Miller was already wildly famous in 1955 when it was first performed. This production transcends the seventy years since it was written and credit for this must go to the direction by Iain Sinclair, and his assistant Andrew Henry. It is truly breathtaking. Iain has dared to pare the work back and in doing so has sculpted a performance that seems relevant  and is both exiting and palpable. The writing is illuminated brilliantly. Of course the actors must also take credit. I cannot remember a piece where every actor contributes so completely- it is like a world record relay team. Ivan Donato as Eddie is perfect. He is not a likeable character but Ivan enables us to completely understand him. Zoe Terakes- a school student who is making her debut- is remarkable as Catherine. Janine Watson, a very talented actress whom I have seen in several plays this year is quite sublime as Eddie’s wife Beatrice.  Giles Gartrell -Mills David Soncin ,Lincoln Younes and David Lynch all deserve to be mentioned simply because they are all wonderful. This play deserves a six month run. Do not miss it at Glen… like me you will be reflecting upon how fantastic it is for weeks after!

Night Alive is Brilliant

In a scintillating season at The Old Fitz this is one of my favourite plays of the year.

Conor McPherson is a well known and frequently awarded Irish playwright. His characters are often down and out, but he writes beautifully and enables his characters to be appealing. I think this is crucial because I have seen many plays where the characters were so unpleasant that it was impossible to care about them.

The acting is sublime. I had not seen Sarah Jane Kelly before and she is just exquisite as Amy, the troubled young lass brought into Tommy’s bedraggled flat. Lawrence Coy is marvelous as Tommy’s side kick Doc- a little ‘slow’  we are told, but  funny and very endearing. As Tommy, John O’ Hare is wonderful. His character is a typical loser, down on his luck and just getting by, but his portrayal is extremely charismatic and the relationship that develops with Amy is utterly convincing and poignant.

As usual the sets, costumes, music and lighting are top notch.

The Old Fitz is the only venue that I can recommend to friends even in advance of seeing the latest production. Fine plays deserve support from the Sydney community. Do not miss any of the plays performed here – but this one in particular. I bet it will scoop plenty of awards. Don’t miss it.

Dark Beauty

The latest play at Kings Cross theatre ( KXT) is ‘American Beauty Shop.’ I saw the final preview and it is wonderful theatre. This is a dark play, which explores the theme of generational poverty in America post GFC.

Theatre is all about great acting, and this cast is fabulous. Amanda Stephens Lee is a veteran of independent theatre and is always flawless. Her portrayal of Sue, a hairdresser with well laid plans to make a success of her life is utterly convincing.  Charmaine Bingwa, as her hairdressing salon employee is exquisite. I last saw her  this year in ‘Doubt’ for which she received brilliant reviews. Janine Watson is a multi award winning actress who is also a stalwart of independent theatre. She imbues her characters with incredible charisma, and her talent is well utilised as Sue’s wayward sister Doll. An actress whom I have not seen previously ,Caitlin Burley, is excellent as Sue’s daughter and Jill Mackay is ever charismatic as Sue’s faithful client.

American Beauty Shop is a very strong piece, entertaining from the opening scene, and offers a  commentary on the difficulty faced in emerging from welfare and poverty in the U.S. It reminds us that we do not want to become a less egalitarian society than we are.

This play has a two week season- do not miss it.

A Bouquet of Riches

The latest opera from Sydney Chamber opera is Benjamin Britten’s Rape of Lucretia. It was groundbreaking in its day, creating a new concept of Chamber Opera in the place of traditional orchestral works requiring large cast and chorus.

Opera is all about the music, and under artistic director Jack Symond’s direction it is truly sublime. So exquisite is the music and the singing that it could have been performed in the dark and it would have been completely entertaining.

But this opera has been directed by an amazingly accomplished director, Kip Williams who introduces an incredibly interesting new perspective on the traditional tale of ‘the rape which brought down a monarchy.’ This staging requiring exceptional acting and movement skill from the cast and they deliver faultlessly. If it were presented just as a play it would be riveting!

Some singers have performed with SCO many times- Baritone simon Lobelson always sings beautifully and revels in any acting/vocal challenge. Jane Sheldon’s soprano voice is like crystal, as ever, and she sustains intensity of emotion with every glance or movement. We are lucky to be able to see her regularly in Sydney with SCO- most of her work is overseas.

Tenor Andrew Goodwin, who has trained/performed largely in Russia is exceptional as the male chorus. Again, we are so lucky to have world class singers performing intimate works in Sydney. I saw him earlier this year in  Biographica, the outstanding event at the Sydney Festival.

The other singers, Anna Dowsley, Celeste Lazareko,Nathan Lay, Jeremy Kleeman and Jessica O’Donoghue are all marvelous.

Do not miss this piece- SCO has a very short season. But more importantly, get onto the mailing list so that you never miss aSCO event. Opera lover or not, this company is so interesting and entertaining you will become a devotee.

A New Golden Age

One of the most successful, feted and in my opinion beautiful plays ever written is ‘The Golden Age’  a 1985 masterpiece by playwright Louis Nowra.  By way of a minor miracle, Louis Nowra has written a new play specifically for The Old Fitzroy hotel, ‘This Much Is True’ and it is truly magical.

This play is all about the real folk who drink at Woolloomooloo’s favourite local pub. It is based on true stories and is quite confronting and gritty in its subject matter. But this play is crafted like a fine violin- the dialogue and narrative is exquisite and balances the harshness of the story to perfection. I am in awe of the talent that this writer possesses.

The  large ensemble cast is excellent and the direction by Toby Schmitz( assisted by Andrew Henry)  is flawless. There are  many different scenes and yet there is a seamless transition so that the pace never flags.Productions at The Old Fitz generally seem to harness unparalleled energy from the performers and this is certainly the case with ‘This Much Is True’.

Sound, lighting and sets are all terrific and enhance the production. The costumes worn by Venus are particularly evocative. Every facet of this piece of theatre rings true.

This production is sold out now- but my advice is to e-mail Red Line and beg for an extension or a return season. Failing that.. when this play does pop up at another theatre buy tickets immediately!!